"We have here a counter-narrative that runs against the grain of the romantic notion of the artist, the genius in his garret, or in her expensive loft studio, working on some "pure" or original vision or concept. The New York City art world in these stories is itself stripped and exposed. You, the reader, are a voyeur into its intricate social and material network, not unlike that in the mansion from the Story of O by Dominique Aury (using the pseudonym Pauline Reage). The galleries of New York City provide the context. They are the mansion, the community, and city. But none of them, no matter how tasteful or avant garde, transcend the marketplace."
Specifically, Ms. Gier notes how Ms. Tabios turns art world tales into exemplifying what could be "a doomed eroticism based on a society that profits from artists and art, diaspora, and elitist hierarchies maintained within the New York gallery world. These ekphrasic, erotic explorations of submission or domination, and all the labyrinthine machinations of power that lie between subject and object, reflect the global arena of politics and power, the densely layered realities of post-colonial hegemony."
BEHIND THE BLUE CANVAS reflects the multi-layered approach for which Ms. Tabios is known for applying to her material, providing a multiplicity of ways with which the reader may engage in these works -- whether as stories of love, lust, politics, power, art, poetry, or subverting social, sexual and political conventions, to cite among the possible contexts.
Publisher : Giraffe Books (January 15, 2004)
Language : English
Paperback : 168 pages
ISBN-10 : 9718832963
ISBN-13 : 978-9718832967
Item Weight : 6.4 ounces