{"title":"FILIPINO AMERICAN POETS - Female (Luisa A. Igloria)","description":"","products":[{"product_id":"juan-lunas-revolver-by-luisa-a-igloria","title":"Juan Luna's Revolver by Luisa A. Igloria","description":"\u003cp\u003e\u003cstrong\u003e﻿Autographed copy.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\" The poems in Juan Luna' s \u003cem\u003eRevolver\u003c\/em\u003e both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress. Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and the novelist and national hero Jose Rizal, as well as the eleven hundred indigenous Filipinos brought to serve as live exhibits in the 1904 Missouri World's Fair. The image of the revolver fired by Juan Luna reverberates throughout the collection, raising to high relief how separation and exile have shaped concepts of identity, nationality, and possibility. Suffused with gorgeous imagery and nuanced emotion, Igloria's poetry achieves an intimacy fostered by gem-like phrases set within a politically-charged context speaking both to the personal and the collective. \"\u003cbr\u003e-Excerpts from the publisher's website.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995.\u003cbr\u003e\u003cbr\u003eShipping Weight : 6.4 ounces\u003cbr\u003eSoftcover : 110 pages\u003cbr\u003eISBN-10 : 026803178-9\u003cbr\u003eISBN-13 : 978-02-6-803178-7\u003cbr\u003eProduct Dimensions : 6 x 0.3 x 9 inches\u003cbr\u003ePublisher : University of Notre Dame Press; 1st Edition (January 15, 2009)\u003cbr\u003eLanguage: : English\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":39567551004838,"sku":"SKU-541","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/2d43a27aa9b67e198320fbae3cd3d6d7.jpg?v=1616550620"},{"product_id":"night-willow-by-luisa-a-igloria","title":"Night Willow by Luisa A. Igloria","description":"\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\" Phoenicia Publishing is proud to announce the publication of \u003cem\u003eNight Willow\u003c\/em\u003e, by the celebrated poet Luisa A. Igloria. In this shining and unsparing new collection of poems, Igloria draws from her own childhood memories, relationships, and keen sensory awareness to create a dreamlike series of pictures in which we, too, may see our growth through the experiences of joys, loss, and the poignant wisdom that comes with age. As poet Sean Thomas Dougherty puts it, Igloria's poems \"get to the heart of why poetry is written: the pure lyric impulse of trying to live.\" \"\u003cbr\u003e-Excerpts from the publisher's website.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995. \u003cbr\u003e\u003cbr\u003eShipping Weight : 7.2 ounces\u003cbr\u003eSoftcover : 132 pages\u003cbr\u003eISBN-10 : 192749605-5\u003cbr\u003eISBN-13 : 978-19-2-749605-3\u003cbr\u003eProduct Dimensions : 6 x 0.33 x 9 inches\u003cbr\u003ePublisher : Phoenicia Publishing (June 1, 2014)\u003cbr\u003eLanguage: : English","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":39567551234214,"sku":"SKU-543","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/efe30b8e69437dee574b837bbd7fccf1.jpg?v=1616550626"},{"product_id":"maps-for-migrants-and-ghosts-poems-by-luisa-a-igloria","title":"Maps for Migrants and Ghosts: Poems by Luisa A. Igloria","description":"\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003eLanguage as key and map to places, people, and histories lost.\u003cbr\u003eFor immigrants and migrants, the wounds of colonization, displacement, and exile remain unhealed. Crossing oceans and generations, from her childhood home in Baguio City, the Philippines, to her immigrant home in Virginia, poet Luisa A. Igloria demonstrates how even our most personal and intimate experiences are linked to the larger collective histories that came before.\u003cbr\u003eIn this poetry collection, Igloria brings together personal and family histories, ruminates on the waxing and waning of family fortunes, and reminds us how immigration necessitates and compels transformations. Simultaneously at home and displaced in two different worlds, the speaker lives in the past and the present, and the return to her origins is fraught with disappointment, familiarity, and alienation.\u003cbr\u003eLanguage serves as a key and a map to the places and people that have been lost. This collection folds memories, encounters, portraits, and vignettes, familiar and alien, into both an individual history and a shared collective history, a grandfather's ghost stubbornly refusing to come in out of the rain, an elderly mother casually dropping YOLO into conversation, and the speaker's abandonment of her childhood home for a second time. The poems in this collection spring out of a deep longing for place, for the past, for the selves we used to be before we traveled to where we are now, before we became who we are now. A stunning addition to the work of immigrant and migrant women poets on their diasporas, \u003cem\u003eMaps for Migrants and Ghosts\u003c\/em\u003e reveals a dream landscape at the edge of this world that is always moving, not moving, changing, and not changing \"\u003cbr\u003e-Excerpts from the publisher's website.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995.\u003cbr\u003e\u003cbr\u003eShipping Weight : 4.8 ounces \u003cbr\u003eSoftcover : 110 pages\u003cbr\u003eISBN-10 : 080933792-4\u003cbr\u003eISBN-13 : 978-08-0-933792-7\u003cbr\u003eProduct Dimensions : 6 x 0.4 x 9 inches\u003cbr\u003ePublisher : Southern Illinois University Press; 1st Edition (September 9, 2020)\u003cbr\u003eLanguage: : English","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":39567551398054,"sku":"SKU-544","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/a06eeb0ac95fd21749d10489e00f6667.jpg?v=1616550630"},{"product_id":"ode-to-the-heart-smaller-than-a-pencil-eraser-poems-by-luisa-a-igloria","title":"Ode to the Heart Smaller than a Pencil Eraser: Poems by Luisa A. Igloria","description":"\u003cstrong\u003eBy Luisa A. Igloria \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eForeword by Mark Doty\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eVolume 17 of the May Swenson Poetry Award Series, 2014\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"However often I watch them appear in my feed reader, Luisa's poems are still an astonishment, virtuosic by-products of an intense daily (or nightly) grappling with language and memory that confounds the usual association between dailiness and ordinariness. Indeed, they are so rich, they must be savored slowly—often, I suspect, at less than half the speed at which they were originally composed. What a pleasure, then, to sit down at this feast of a collection, pulled together for our delectation by a master chef. Kain tayo!\"\u003cbr data-mce-fragment=\"1\"\u003e—Dave Bonta, editor of Via Negativa and MovingPoems.com\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"When Luisa Igloria cites Epictetus—'as soon as a thing has been seen, it is carried away, and another comes in its place'—she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. 'I was raised \/ to believe not only the beautiful can live on \/ Parnassus,' she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe.\"\u003cbr data-mce-fragment=\"1\"\u003e—Mark Doty, judge for the 2014 Swenson Award\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \"These are poems whose gaze is as public as it is personal, and whose desire is to bring us into conversation with others by reminding us of the instances in which our language, whether fragmented or fluid, makes us part of a larger river of voices, a chorus as old as humanity itself. Through Igloria's poems we encounter the wisdom gleaned from looking backward and forward at once. Her ability to do so makes this collection, as well as her other work, an exercise in time travel well worth making.\"\u003cbr data-mce-fragment=\"1\"\u003e—Dorianne Laux, author of The Book of Men, The Book of Women, and Facts about the Moon\u003cbr data-mce-fragment=\"1\"\u003e-Excerpts from the publisher's website.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublisher : Utah State University Press; 1st Edition (September 15, 2014)\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003ePages: 70 pages\u003cbr data-mce-fragment=\"1\"\u003eISBN-10 : 087421968-X\u003cbr data-mce-fragment=\"1\"\u003eISBN-13 : 978-08-7-421968-5\u003cbr data-mce-fragment=\"1\"\u003eReading age : 19 years and up\u003cbr data-mce-fragment=\"1\"\u003eItem Weight : 4.2 ounces\u003cbr data-mce-fragment=\"1\"\u003eDimensions : 5.5 x 0.3 x 8.5 inches\u003cbr\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":40882335875238,"sku":"SKU--547","price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/f2645325c0dfee8ddc1567a0f5b148ac.jpg?v=1616550622"},{"product_id":"not-home-but-here-writing-from-the-filipino-diaspora-philippine-book-by-luisa-a-igloria","title":"Not Home, But Here: Writing From The Filipino Diaspora -by Luisa A. Igloria (Out of Print)","description":"\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eThis collection edited with a powerful introduction by Luisa Igloria, inspires the reader as well as those interested in diasporic studies to comprehend the sorrows as well as joys of living in the spaces between worlds.\" \u003cbr\u003e-Marjorie Agosin, Chilean American author \u003cbr\u003e\u003cbr\u003e\"A lovely and powerful book -- a meditation on what it means to be other. It's about journeys; its's about memory. It's about recovery and discovery. Ultimately healing and transformative, this is a book to savor.\" \u003cbr\u003e-Marianne VIlanueva, author \"This collection of creative essays offers thoughtful literacy meditations on the Filipion diaspora. \u003cbr\u003e\u003cbr\u003eRepresenting diverse generations, destinations, and the evolving cultural practices that characterize the transnational experience, the authors juxtapose issues of language, class, race, and the ethnicity with writerly concerns and approaches. Luisa Igloria's assembling of the multiplicity of positions b players in the diaspora is a significant addition to the flourishing canon of writing by global Filipinos who, navigating the intersection of personal choices and cultural contingencies, illustrate how exile and immigration become creative inspirations for the production of new forms, perspectives and narratives.\" \u003cbr\u003e-Rocio G. Davis, author \u003cbr\u003e\u003cbr\u003eThis book is a gathering of writers who have made peace with living at home away from home. With so many Filipinos abroad, this is a collective sigh of homesickness, up rootedness, and nostalgia. Contributors are Merlinda Bobis, Nick Carbo, Felix Fojas, Loreta M. Medina, Reine Arcache Melvin, Leny Mendoza-Strobel, Aimee Nezhukumatathil, Jon Pineda, Barbara J. Pulmano Reyes, Bino A. Realuyo, Angel Shaw, Eileen R. Tabios, Pancho Vera Lapuz, Ella Wagemakers-Sanchez, and Edna Weisser. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995. \u003cbr\u003e\u003cbr\u003eShipping Weight : 9.6 ounces\u003cbr\u003ePaperback : 143 pages\u003cbr\u003eISBN-10 : 971271358-X\u003cbr\u003eISBN-13 : 978-97-1-271358-3\u003cbr\u003ePublisher : Anvil Publishing , Inc; 1st Edition (January 1, 2003)\u003cbr\u003eLanguage: : English","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":39567552118950,"sku":"SKU-548","price":98.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/f55ba354fdee3740fa4de664fb165f1a.jpg?v=1616550628"},{"product_id":"blood-sacrifice-by-maria-luisa-b-aguilar-carino-out-of-print","title":"Blood Sacrifice by Maria Luisa B. Aguilar-Cariño (Out of Print)","description":"\u003cstrong\u003eA Philippine import.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Luisa A. Carino's poetry inhabits the heart first, then the mind, and the soul. For me, reading her poetry is a privilege I very seldom get--sought for and bestowed to me without reservations. Her work contains some of the most extraordinary and most polished poetry written by a Filipino poet writing in English today. Her command of language shows she has the astounding maturity of styles that separate her from the rest of her generation of writers. Here is the poetry that will last this generation and the generations to come. Bravo. -Carlos Angeles, poet and author of 'A Stun of Jewels and a Bruise of Ashes'\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eItem Weight : 1.11 pounds\u003cbr\u003ePaperback : 127 pages\u003cbr\u003eISBN-13 : 978-97-1-542157-7\u003cbr\u003eISBN-10 : 971542157-1\u003cbr\u003ePublisher : University of the Philippines Press (January 1, 1997)\u003cbr\u003eLanguage: : English","brand":"University of the Philippines Press","offers":[{"title":"Default Title","offer_id":39567559491750,"sku":"SKU-572","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/1a7dc102f89a0f27348e67c29f1d7f0c.jpg?v=1616550677"},{"product_id":"the-saints-of-streets-by-luisa-a-igloria-out-of-print","title":"The Saints of Streets by Luisa A. Igloria (Out of Print)","description":"\u003cstrong\u003ePoet Luisa A. Igloria has been named as Poet Laureate of Virginia for the year 2020 to 2022.\u003c\/strong\u003e \u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003eIn Luisa A. Igloria’s twelfth and newest book The Saints of Streets, hungry ghosts, mullahs, would-be assassins, carnival queens, Hell Girl, Dante riding Geryon’s back, and a host of other figures guide us through the dioramas and exhibits of personal and collective memory: they’ll be our chauffeurs, psychopomps, tourist guides, our sweet and difficult familiars. These poems are love letters, phone calls disrupting our day to remind us of the strange and beautiful mysteries of living in the postcolonial moment.  \"Luisa Igloria’s The Saints of Streets overlays the landscapes we see with many more vanished. Houses, town halls, and cathedrals are held up by spires of memory; the past erupts and spills over when the poet focuses on particulars, “…nose pressed to the doorway between worlds\/ lit by the same fire that singes the wings of bees.” Igloria begins, as we often do, with a yearning: followed by question, meditation—but the power of her gaze sets these poems apart. Observation magnetizes worlds into radical juxtaposition, and in these poems, measured, intuitive music splendidly unleashes the bewildering in the everyday.\"  \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Kristin Naca, author of Bird Eating Bird (Harper Perennial 2009, selected by Yusef Komunyakaa for the mtvU National Poetry Series)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e \"In poem after poem, Luisa Igloria deftly reminds us of the relevance of an art form at the shore of irrelevance, where the “water writes what it erases, then writes again.” The erased—hungry ghosts, Pigafetta, the Saints, Yamashita, and Filipino public figures long-forgotten—find their memories re-lived in Igloria’s poetic timeline. Here is a full display of Igloria’s extraordinary ability to become a vessel for muted and fading voices returned to the shores of our historic imagination with an “overflowing urgency of words.”  \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Bino A. Realuyo, author of The Gods We Worship Live Next Door (University of Utah Press, 2005 Agha Shahid Ali Prize in Poetry) and The Umbrella Country (Ballantine Books, 1999). \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\" class=\"x-el x-el-span c2-1b c2-1c c2-3 c2-50 c2-1l c2-4c c2-51\"\u003eAbout the Author\u003cbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eA tenured Professor of English and Creative Writing at Old Dominion University, where she served as Director of the MFA Creative Writing Program from 2009-2015. She was named the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University (Spring Term 2018). Originally from Baguio City in the Philippines, Luisa is also an eleven-time recipient of the Carlos Palanca Memorial Award for Literature in three genres (poetry, nonfiction, and short fiction); the Palanca award is the Philippines' highest literary distinction. She has published 10 books including JUAN LUNA'S REVOLVER (University of Notre Dame Press, 2009 Ernest Sandeen Prize in Poetry); TRILL \u0026amp; MORDENT (WordTech Editions, 2005; Co-Winner of the 2007 Global Filipino Literary Awards in Poetry); ENCANTO (Anvil, 2004); and IN THE GARDEN OF THE THREE ISLANDS (Moyer Bell\/Asphodel, 1995. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\" class=\"x-el x-el-span c2-1b c2-1c c2-3 c2-50 c2-1l c2-4c c2-51\"\u003eA Philippine import.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003ePaperback : 87 pages\u003cbr\u003eISBN-13 : 978-97-1-506705-8\u003cbr\u003eISBN-10 : 971506705-0\u003cbr\u003ePublisher : University of Santo Tomas Publishing House (January 1, 2013)\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":39567564112038,"sku":"SKU-592","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/products\/af6532f6acf39f30574f37394e2efbb9.jpg?v=1616550730"},{"product_id":"caulbearer-by-luisa-a-igloria","title":"Caulbearer by Luisa A. Igloria","description":"\u003cdiv data-editor-content='{\"blocks\":[{\"key\":\"e3rff\",\"text\":\"In many cultures, a caul is considered talismanic; and a child born with it, possessing luck or protection. Luisa A. Igloria invokes this metaphor to weave poems exploring the veiled intervals of transition experienced by those in the diaspora—or by anyone who has felt a severing from their origins. The poems in Caulbearer enter spaces not only of nostalgia, loss, and impossible return. They also offer opportunities for glimpsing pleasure in the re-imagining and telling of our own stories, for as long and as many times as we need, in a world still full of beauty and mystery.\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[{\"offset\":314,\"length\":10,\"style\":\"ITALIC\"}],\"entityRanges\":[],\"data\":{}},{\"key\":\"2uadc\",\"text\":\"\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"59mgh\",\"text\":\"Publisher ‏ : ‎ Black Lawrence Press\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"dljkh\",\"text\":\"Publication date ‏ : ‎ August 20, 2024\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"4vv33\",\"text\":\"Language ‏ : ‎ English\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"7il0j\",\"text\":\"Print length ‏ : ‎ 110 pages\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"2id2\",\"text\":\"ISBN-10 ‏ : ‎ 1625570783\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"cfntl\",\"text\":\"ISBN-13 ‏ : ‎ 978-1625570789\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"2if79\",\"text\":\"Item Weight ‏ : ‎ 5.4 ounces\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}},{\"key\":\"4c055\",\"text\":\"Dimensions ‏ : ‎ 5.5 x 0.3 x 8.5 inches\",\"type\":\"unstyled\",\"depth\":0,\"inlineStyleRanges\":[],\"entityRanges\":[],\"data\":{}}],\"entityMap\":{}}'\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"f2b5e-0-0\"\u003e\n\u003cdiv data-offset-key=\"f2b5e-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"f2b5e-0-0\"\u003e\u003cspan data-text=\"true\"\u003eIn many cultures, a caul is considered talismanic; and a child born with it, possessing luck or protection. Luisa A. Igloria invokes this metaphor to weave poems exploring the veiled intervals of transition experienced by those in the diaspora—or by anyone who has felt a severing from their origins. The poems in \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"f2b5e-0-1\"\u003e\u003cspan data-text=\"true\"\u003eCaulbearer\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"f2b5e-0-2\"\u003e\u003cspan data-text=\"true\"\u003e enter spaces not only of nostalgia, loss, and impossible return. They also offer opportunities for glimpsing pleasure in the re-imagining and telling of our own stories, for as long and as many times as we need, in a world still full of beauty and mystery.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"adco5-0-0\"\u003e\n\u003cdiv data-offset-key=\"adco5-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"adco5-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"82gsh-0-0\"\u003e\n\u003cdiv data-offset-key=\"82gsh-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"82gsh-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePublisher ‏ : ‎ Black Lawrence Press\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"2ev57-0-0\"\u003e\n\u003cdiv data-offset-key=\"2ev57-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"2ev57-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePublication date ‏ : ‎ August 20, 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"cf66b-0-0\"\u003e\n\u003cdiv data-offset-key=\"cf66b-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"cf66b-0-0\"\u003e\u003cspan data-text=\"true\"\u003eLanguage ‏ : ‎ English\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"ap090-0-0\"\u003e\n\u003cdiv data-offset-key=\"ap090-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"ap090-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePrint length ‏ : ‎ 110 pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"dmvvj-0-0\"\u003e\n\u003cdiv data-offset-key=\"dmvvj-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"dmvvj-0-0\"\u003e\u003cspan data-text=\"true\"\u003eISBN-10 ‏ : ‎ 1625570783\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"93p2b-0-0\"\u003e\n\u003cdiv data-offset-key=\"93p2b-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"93p2b-0-0\"\u003e\u003cspan data-text=\"true\"\u003eISBN-13 ‏ : ‎ 978-1625570789\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"cvkdb-0-0\"\u003e\n\u003cdiv data-offset-key=\"cvkdb-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"cvkdb-0-0\"\u003e\u003cspan data-text=\"true\"\u003eItem Weight ‏ : ‎ 5.4 ounces\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"6etbt\" data-offset-key=\"7ccgk-0-0\"\u003e\n\u003cdiv data-offset-key=\"7ccgk-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"7ccgk-0-0\"\u003e\u003cspan data-text=\"true\"\u003eDimensions ‏ : ‎ 5.5 x 0.3 x 8.5 inches\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Lawrence Press","offers":[{"title":"Default Title","offer_id":46721156939942,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/0785\/3478\/files\/51gzE94owCL._SL1000.jpg?v=1759530824"},{"product_id":"of-color-poets-ways-of-making-an-anthology-of-essays-on-transformative-poetics-by-luisa-a-igloria-1","title":"Of Color: Poets' Ways of Making, an Anthology of Essays on Transformative Poetics by Luisa A. 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If interested, email us: LNL.philippinebookshop@yahoo.com but do not pay for your order first. Upon receipt of your email, we will check with the publisher if the book is still available, what is the new price, and when to expect delivery. This way, we can relay the particulars to you before you pay. Please note that if you pay and then cancel your order for one reason or another, PayPal has a 3.9% plus $0.15 fee that they charge us for every transaction. So, we would appreciate it if you just follow the instructions as stated here. This way, we will not pass on this fee to you should you cancel your order.\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[{\u0026quot;offset\u0026quot;:0,\u0026quot;length\u0026quot;:25,\u0026quot;style\u0026quot;:\u0026quot;BOLD\u0026quot;},{\u0026quot;offset\u0026quot;:51,\u0026quot;length\u0026quot;:32,\u0026quot;style\u0026quot;:\u0026quot;UNDERLINE\u0026quot;}],\u0026quot;entityRanges\u0026quot;:[{\u0026quot;offset\u0026quot;:51,\u0026quot;length\u0026quot;:32,\u0026quot;key\u0026quot;:0}],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;kfsa\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;9jbkf\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;How do poets of color come to know what they do about their art and practice? How do they learn from and teach others? For poets of color, what does the relationship of \\\u0026quot;what one knows\\\u0026quot; have, with conditions extending but not limited to publishing, mentorship and pedagogy, comradeship and collegiality, friendship, love, and possibility? Is one a real poet if one does not have an MFA? For minority poets not considered part of the mainstream because of the combined effects of their ethnic, class, racial, cultural, linguistic, and other identities, what should change in order to accord them the space and respect they deserve? How best can they discuss with and pass on what they have learned to others?\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;96bl6\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;8nr0p\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;These and other questions come up so consistently in our daily experience as poets of color. And we hear them from poets of color at various stages of their careers. Out of the desire not only to hear from each other but also to share what we've learned--each from our unique as well as bonded experiences of writing as poets of color in this milieu--this anthology project was born.\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;fftdv\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;bu1rd\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;In this collection, we make no claims of presenting any definitive theoretical or other stance. Neither do we offer these essays as prescriptive of certain ways of thinking of craft or of doing things, although in them is expressed a collective wish--that writers of color find ways to gain strength and visibility without replicating the systems that play the game of divide and conquer and turn us against each other for narrow or self-serving profit. Instead, let there be a steady effort to compile lore and take inventory of strategies, intersections, bridges; to map our histories, to sight possibilities for the future.\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;b0a51\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;3198e\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;We are honored and thankful to have the words of the following poets in this anthology: Mai Der Vang (Foreword), Ching-In Chen, Addie Tsai, Tony Robles, Wendy Gaudin, Ernesto L. Abeytia, Abigail Licad, Tim Seibles, Melissa Coss Aquino, Sasha Pimentel, Jose Angel Araguz, Khadijah Queen, Remica L. 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Igloria \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"3i6js-0-0\"\u003e\n\u003cdiv data-offset-key=\"3i6js-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"3i6js-0-0\"\u003e\u003cspan data-text=\"true\"\u003eEdited by Amanda Galvan Huynh\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"8a1cq-0-0\"\u003e\n\u003cdiv data-offset-key=\"8a1cq-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"8a1cq-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"1pqsq-0-0\"\u003e\n\u003cdiv data-offset-key=\"1pqsq-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"1pqsq-0-0\"\u003e\u003cspan data-text=\"true\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"d80cl-0-0\"\u003e\n\u003cdiv data-offset-key=\"d80cl-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"d80cl-0-0\"\u003e\u003cspan data-text=\"true\"\u003eOut of Print Title.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"98gsf-0-0\"\u003e\n\u003cdiv data-offset-key=\"98gsf-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"98gsf-0-0\"\u003e\u003cspan data-text=\"true\"\u003eWe only have 1 copy left.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"98gsf-0-1\"\u003e\u003cspan data-text=\"true\"\u003e If interested, email us: \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"mailto:LNL.philippinebookshop@yahoo.com\" class=\"rte-link\"\u003e\u003cspan data-offset-key=\"98gsf-1-0\"\u003e\u003cspan data-text=\"true\"\u003eLNL.philippinebookshop@yahoo.com\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-offset-key=\"98gsf-2-0\"\u003e\u003cspan data-text=\"true\"\u003e but do not pay for your order first. Upon receipt of your email, we will check with the publisher if the book is still available, what is the new price, and when to expect delivery. This way, we can relay the particulars to you before you pay. Please note that if you pay and then cancel your order for one reason or another, PayPal has a 3.9% plus $0.15 fee that they charge us for every transaction. So, we would appreciate it if you just follow the instructions as stated here. This way, we will not pass on this fee to you should you cancel your order.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"5a5dh-0-0\"\u003e\n\u003cdiv data-offset-key=\"5a5dh-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"5a5dh-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"dmc8n-0-0\"\u003e\n\u003cdiv data-offset-key=\"dmc8n-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"dmc8n-0-0\"\u003e\u003cspan data-text=\"true\"\u003eHow do poets of color come to know what they do about their art and practice? How do they learn from and teach others? For poets of color, what does the relationship of \"what one knows\" have, with conditions extending but not limited to publishing, mentorship and pedagogy, comradeship and collegiality, friendship, love, and possibility? Is one a real poet if one does not have an MFA? For minority poets not considered part of the mainstream because of the combined effects of their ethnic, class, racial, cultural, linguistic, and other identities, what should change in order to accord them the space and respect they deserve? How best can they discuss with and pass on what they have learned to others?\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"bpj7h-0-0\"\u003e\n\u003cdiv data-offset-key=\"bpj7h-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"bpj7h-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"4e7er-0-0\"\u003e\n\u003cdiv data-offset-key=\"4e7er-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"4e7er-0-0\"\u003e\u003cspan data-text=\"true\"\u003eThese and other questions come up so consistently in our daily experience as poets of color. And we hear them from poets of color at various stages of their careers. Out of the desire not only to hear from each other but also to share what we've learned--each from our unique as well as bonded experiences of writing as poets of color in this milieu--this anthology project was born.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"dtgvg-0-0\"\u003e\n\u003cdiv data-offset-key=\"dtgvg-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"dtgvg-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"3kcq9-0-0\"\u003e\n\u003cdiv data-offset-key=\"3kcq9-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"3kcq9-0-0\"\u003e\u003cspan data-text=\"true\"\u003eIn this collection, we make no claims of presenting any definitive theoretical or other stance. Neither do we offer these essays as prescriptive of certain ways of thinking of craft or of doing things, although in them is expressed a collective wish--that writers of color find ways to gain strength and visibility without replicating the systems that play the game of divide and conquer and turn us against each other for narrow or self-serving profit. Instead, let there be a steady effort to compile lore and take inventory of strategies, intersections, bridges; to map our histories, to sight possibilities for the future.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"2nr1l-0-0\"\u003e\n\u003cdiv data-offset-key=\"2nr1l-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"2nr1l-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"bqa7d-0-0\"\u003e\n\u003cdiv data-offset-key=\"bqa7d-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"bqa7d-0-0\"\u003e\u003cspan data-text=\"true\"\u003eWe are honored and thankful to have the words of the following poets in this anthology: Mai Der Vang (Foreword), Ching-In Chen, Addie Tsai, Tony Robles, Wendy Gaudin, Ernesto L. Abeytia, Abigail Licad, Tim Seibles, Melissa Coss Aquino, Sasha Pimentel, Jose Angel Araguz, Khadijah Queen, Remica L. Bingham-Risher, Ocean Vuong, Craig Santos Perez, and Kenji Liu.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"1p9ub-0-0\"\u003e\n\u003cdiv data-offset-key=\"1p9ub-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"1p9ub-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"1plrd-0-0\"\u003e\n\u003cdiv data-offset-key=\"1plrd-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"1plrd-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"6jkas-0-0\"\u003e\n\u003cdiv data-offset-key=\"6jkas-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"6jkas-0-0\"\u003e\u003cspan data-text=\"true\"\u003eItem Weight : 8.6 ounces\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"8l7md-0-0\"\u003e\n\u003cdiv data-offset-key=\"8l7md-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"8l7md-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePaperback : 154 pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"6krff-0-0\"\u003e\n\u003cdiv data-offset-key=\"6krff-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"6krff-0-0\"\u003e\u003cspan data-text=\"true\"\u003eISBN-13 : 978-1946031495\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"28q05-0-0\"\u003e\n\u003cdiv data-offset-key=\"28q05-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"28q05-0-0\"\u003e\u003cspan data-text=\"true\"\u003ePublisher : The Operating System (March 21, 2019)\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"925nh-0-0\"\u003e\n\u003cdiv data-offset-key=\"925nh-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"925nh-0-0\"\u003e\u003cspan data-text=\"true\"\u003eProduct dimensions : 6.14 x 0.36 x 9.21 inches\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"eodng-0-0\"\u003e\n\u003cdiv data-offset-key=\"eodng-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"eodng-0-0\"\u003e\u003cspan data-text=\"true\"\u003eLanguage: : English\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"4ikra-0-0\"\u003e\n\u003cdiv data-offset-key=\"4ikra-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"4ikra-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"8tflg-0-0\"\u003e\n\u003cdiv data-offset-key=\"8tflg-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"8tflg-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"85vho-0-0\"\u003e\n\u003cdiv data-offset-key=\"85vho-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"85vho-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"86a4n\" data-offset-key=\"e3jg7-0-0\"\u003e\n\u003cdiv data-offset-key=\"e3jg7-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"e3jg7-0-0\"\u003e\u003cspan data-text=\"true\"\u003eC.E.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Operating System","offers":[{"title":"Default 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